{"id":5386,"date":"2026-09-11T00:38:41","date_gmt":"2026-09-10T22:38:41","guid":{"rendered":"https:\/\/pergerus.eu\/?p=5386"},"modified":"2026-09-11T00:51:55","modified_gmt":"2026-09-10T22:51:55","slug":"pergerus-stuudio-and-its-master-anto","status":"publish","type":"post","link":"https:\/\/pergerus.eu\/et\/pergerus-slug\/pergerus-stuudio-and-its-master-anto\/","title":{"rendered":"Pergerus Stuudio ja tema peremees Anto"},"content":{"rendered":"
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Pergerus Stuudio ja tema peremees Anto<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Pergerus on ekstreem-metali r\u00fchmitus, mille l\u00f5id 2012. aasta s\u00fcgisel viis prooviruumi jagavat Tarbatu b\u00e4ndi. Materiaalse k\u00fcljest \u00fchendab Pergerust praegugi \u00fchise ruumi ja tehniliste vahendite haldamine, vaimsest k\u00fcljest v\u00f5ib sidet leida teatud sarnases suhtumises underground eetikasse ja esteetikasse (kuigi iga muusik ja kollektiiv on oma valikutes m\u00f5istagi iseseisev). 2019. aastal sai Pergerus endale uue tahu, kui kitarrist Anto Raig pani p\u00fcsti eraldi salvestuskoha, mille ristis Pergerus Stuudioks. Praeguseks on Anto stuudiot kamandanud l\u00e4bi paremate ja raskemate aegade seitse aastat, selle k\u00f5rval helindab ta aga veel kontserte ning astub aeg-ajalt ka ise pilliga lavale. Istusime \u00fchel suvisel \u00f5htupoolikul Pirogovi pargis, kuhu me \u00f5ieti kumbki polnud t\u00fckk aega sattunud, ning vestlesime k\u00f5igist tema tegevustest l\u00e4hemalt.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Algused<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Anto astus Tarbatu tumemuusika ringkondadesse 2008. aastal ansambli Tapper taass\u00fcnnikoosseisus ning kujunes oluliseks panustajaks b\u00e4ndi muusikasse ja k\u00f5lapilti. Sealt laienes tema haare peagi mitmesse teisegi metalb\u00e4ndi \u2013 Anto m\u00e4ngib v\u00f5i on m\u00e4nginud ka kollektiivides Form<\/u><\/a>, Mortferus ja Ulgur\u00e4nd<\/u><\/a>. Siiski ulatuvad tema loomingulised huvid \u00fcledistorditud kitarrim\u00fcrast m\u00e4rksa laiematele helimaastikele. Nii on ta viimastel aastatel peaasjalikult p\u00fchendunud rokkb\u00e4ndile Vikat, mille lugude valik h\u00f5lmab nii tuntud l\u00f6\u00f6klaulude kavereid kui ka aina enam ja enam omaloomingut.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Stuudiot\u00f6\u00f6ga puutus Anto esimest korda t\u00f5sisemalt kokku Tapri esikalbumi \u201eVereklanni kolmas tulemine\u201d (ilmus 2013) salvestusel Tartu \u00d6-stuudios. Toona ta pillim\u00e4ngust kaugemale ei j\u00f5udnud, kuna albumi miksimise ja masterdamise ajaks l\u00e4ks hoopis merev\u00e4kke teenima. K\u00fcll aga hakkas huvi salvestamise vastu kasvama peagi p\u00e4rast seda, eriti kutsekoolis mehhatroonikat \u00f5ppides. \u201eSeal mul hakkaski m\u00f5te liikuma heli olemuse teemadel. Sellal muutusid ka salvestusvahendid k\u00e4ttesaadavamaks. Kui pidevalt tegeleda, siis polegi k\u00f5ik v\u00e4ga raske \u2013 vaja vaid p\u00f5hiasjad selgeks saada, seej\u00e4rel v\u00f5id julgelt katsetada.\u201c<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Mehhatroonikast sai Anto helide maailma kohta v\u00e4\u00e4rtuslikke f\u00fc\u00fcsikalisi baasteadmisi, ent konkreetselt helisalvestuse vallas on ta olnud suuresti ise\u00f5ppija. Siiski ei pea p\u00e4ris k\u00f5ike ka ise p\u00f5lve otsas leiutama. N\u00e4iteks Ameerika internetilehek\u00fclg Nail The Mix viib paarik\u00fcmne euro eest kuus l\u00e4bi kursuseid, milles jagatakse miksimiseks kasulikke n\u00f5uandeid ning saadetakse kodut\u00f6\u00f6ks multitracke, mille abil ise k\u00e4tt harjutada. Selle abil on mitmed Tarbatu muusikud \u00f5ppinud kasulikke oskusi salvestiste helindamise kohta, Anto nende seas.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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P\u00e4ris konkreetselt stuudio ehitamiseks l\u00e4ks p\u00e4rast vanalt t\u00f6\u00f6kohalt koondamist, kui tuli hakata m\u00f5tlema, mida elus edasi teha. \u201eEnne koroona-aega oli T\u00f6\u00f6tukassast lihtsam toetust saada oma ettev\u00f5tte tegemise jaoks. Stuudio nime jaoks sain teistelt Pergeruse liikmetelt n\u00f5usoleku,\u201c selgitab Anto oma otsuse tagamaid. \u201eAlgne plaan oli olla r\u00fchmitusele suurem pidepunkt ja abi salvestust\u00f6\u00f6s, aga kuna tundub, et k\u00f5igil on olnud pigem huvi ise oma soundi teha, siis see suund j\u00e4i suuresti soiku. P\u00e4ris viimasel ajal ei ole ma ka underground muusikaskeenega eriti l\u00e4hedalt seotud olnud, nii et on isegi olnud m\u00f5tteid loovutada nimi tagasi Pergeruse r\u00fchmitusele ning luua endale mingi uus platvorm. Oma osa hakkab m\u00e4ngima ka tegevuse majanduslik tasuvus. Eks m\u00f5nikord satud ikka valiku ette: kas oma tegevusega oleks v\u00f5imalik midagi teenida ka v\u00f5i mitte.\u201c<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Anto Raig Pergerus Stuudios<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Kontsertide helindamine ongi praegusel ajal Anto p\u00f5hiline sissetulekuallikas, stuudios veedab ta peaasjalikult oma vaba aja. Oma lemmik\u017eanrideks peab ta helimehet\u00f6\u00f6ski peamiselt metalit ja rokki, kuigi mingeid olulisi piiranguid endale ei sea. \u201eKui soundi k\u00e4tte saad, siis on hea tunne k\u00fcll; see ongi see koht, kus t\u00f6\u00f6 kiidab tegijat. Enamasti visatakse sinu suunas \u00f5htu jooksul kolm b\u00e4ndi ja sul on iga\u00fchest tund aega midagi k\u00e4tte saada. Sageli on just esimesel b\u00e4ndil k\u00f5ige \u00f5nnetum olukord, eriti veel, kui ta juhtub olema keerulisema helipildiga.\u201c<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Kolimine<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Esialgu tegutses Pergerus Stuudio Tarbatus Teguri t\u00e4navas Kammivabriku ruumides, kuid j\u00e4rsu \u00fc\u00fcrihinna t\u00f5usu t\u00f5ttu otsustas Anto oma ettev\u00f5tmise viia teisale \u2013 t\u00f6\u00f6stushoonesse aadressil Aardla 25b, kust see on praegugi k\u00f5igile leitav. M\u00f5istagi polnud stuudio kolimine lihtne \u00fclesanne. Ruumi lahtimonteerimine ja uues kohas taas \u00fclesehitamine n\u00f5udsid k\u00f5vasti aega ja vaeva.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201eMa siiamaani m\u00f5tlen, kuidas ma seda tegin,\u201c meenutab Anto toda aega. \u201eMagasin v\u00e4ga v\u00e4he ja \u00f6\u00f6siti, kui lapsed kodus magasid, k\u00e4isin stuudiot kolimas. Praktiliselt \u00fcksi vedasin k\u00f5ik \u00e4ra. Isegi kipsseinad kruvisin lahti ja v\u00f5tsin kaasa, otsisin magnetitega kruvid \u00fcles. Mitte midagi ei j\u00e4tnud maha.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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P\u00e4rast oli j\u00e4llegi mitu kuud ehitamist, mis oli iseenesest v\u00e4ga p\u00f5nev projekt. Siis oskasin v\u00f5rreldes esimese asukohaga juba midagi ka teisiti teha. Juba niipaljukest oli kogemust. N\u00e4iteks esimeses kohas panin kipsi aluskarkassiks pleki, aga n\u00fc\u00fcd teadsin, et tahan uues paigas teist nii-\u00f6elda korrust kas laona v\u00f5i millekski selliseks kasutada. Seet\u00f5ttu kasutasin karkassi tegemiseks puitu ja vahe on suur, sein kumiseb n\u00fc\u00fcd tunduvalt v\u00e4hem. Suur kipssein oli alguses nagu suur trumm \u2013 metallkarkass oli j\u00e4igem ning andis helidele vibratsiooni juurde.\u201c<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Pergeruse Stuudios on aastate jooksul salvestatud v\u00e4ga erinevaid projekte. Metali, roki ja pungi k\u00f5rval on valikusse sattunud ka r\u00e4ppareid ja taskuh\u00e4\u00e4lingute tegijaid. Vahepeal pakkus Anto b\u00e4ndidele ja artistidele v\u00f5imalust salvestada oma esinemiskava, et nad saaksid aimu, kuidas nad \u00f5igupoolest k\u00f5lavad. Ilmselt siiani k\u00f5ige nimekam salvestaja on olnud thrash metal b\u00e4nd Tankist, kes lindistas Pergerus Stuudios oma 2023. aastal ilmunud albumi \u201eForced Equal\u201d koorilaulupartiisid. Antot huvitavad alati ka uued helipildid: \u201eOleks p\u00f5nev proovida lindistada ja miksida n\u00e4iteks viiuli v\u00f5i saksofoniga muusikat, et teada saada, kuidas nad k\u00f5lama hakkavad.\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Vikat<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Ehkki nagu juba mainitud, pole Anto viimasel ajal underground metaliga v\u00e4ga tihedalt seotud, tegeleb ta endistviisi aktiivse pillim\u00e4nguga. Tema peamiseks loominguliseks v\u00e4ljundiks on kujunenud pungilik rokkb\u00e4nd Vikat. Algselt tehti peamiselt kavereid ja humoorikaid t\u00f6\u00f6tlusi, millega oli hea k\u00e4ia pidudel m\u00e4ngimas, ent samm-sammult asendusid need juba s\u00fcgavamates toonides omaloominguga. \u201eVikati muusika on segu eri stiilidest \u2013 natuke punki ja natuke metalit, aga l\u00f5ppude l\u00f5puks on ta ikkagi rokilaadne asi,\u201c iseloomustab Anto oma b\u00e4ndi. \u201eVahepeal on tore lihtsalt peomeeleolu luua. Inimeste lugema\u00f5ppimine on oluline oskus \u2013 selleks, et aru saada, mis lugu v\u00f5iks rahvale j\u00e4rgmisena sobida.\u201c<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Vikatil on olnud aastaid, mil esinemisi jagus igasse kuusse, praegu on kontsertide osas m\u00f5neti rahulikum aeg. Selle \u00fcheks p\u00f5hjuseks on b\u00e4ndiliikmete isiklikud elud, mis aeg-ajalt t\u00e4helepanu n\u00f5uavad, aga Anto hinnangul on vahepeal peale tulnud ka omajagu v\u00e4ga h\u00e4id noori muusikuid, kes m\u00e4ngivad pidudel oodatud igihaljaid hitte rohkemgi kui praegune Vikat.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Vikati trummikomplekt stuudios<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Viimase asjana k\u00fcsin, kas Antol on lisaks Vikatile veel m\u00f5ni loominguline projekt k\u00e4sil.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201eTead, ma kirjutan muusikat ikka, isegi kui k\u00f5ik Vikatile ei l\u00e4he,\u201c tunnistab Anto. \u201eOn ports asju, mis on j\u00e4\u00e4nud seisma, aga mida ilmselt Vikatiga tegema ei hakka. V\u00f5ib-olla peaks need lood kuidagi avaldama, saama nii-\u00f6elda s\u00fcsteemist v\u00e4lja.\u201c Muusika loomiseks on ta appi v\u00f5tnud uuemad tehnilised vahendid. \u201eViimasel ajal olen oma ideid sisse s\u00f6\u00f6tnud Suno programmi. Alati pole lihtsalt aega istuda stuudios, et k\u00f5ik partiid eraldi sisse m\u00e4ngida. Suno teeb ideest hetkega mingisuguse versiooni, kuidas lugu v\u00f5iks k\u00f5lama hakata. M\u00f5ned tulemused on lausa v\u00e4ga huvitavad. Siiski, kui oleme Vikatiga proovinud tehisaru loodud arran\u017eeeringut elavas esitluses j\u00e4rgi m\u00e4ngida, on tulemus olnud tunduvalt \u00f5hem, nii et kui ka alguses on lugu tundunud \u00e4ge, j\u00e4\u00e4b ta siiski m\u00e4ngust v\u00e4lja. Ja ka tehisaru loodud lugude nootide k\u00f5rgusvahesid on raske j\u00e4rgi laulda, kui sa just Freddie Mercury pole.\u201c<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Kel soovi oma muusikalised ideed purki saada, vaadaku kindlasti l\u00e4hemalt <\/em>Pergerusstuudio.ee<\/em><\/u><\/a>.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Kroonika kirjutas 1695<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Praeguseks on Anto stuudiot kamandanud l\u00e4bi paremate ja raskemate aegade seitse aastat, selle k\u00f5rval helindab ta aga veel kontserte ning astub aeg-ajalt ka ise pilliga lavale. Istusime \u00fchel suvisel \u00f5htupoolikul Pirogovi pargis, kuhu me \u00f5ieti kumbki polnud t\u00fckk aega sattunud, ning vestlesime k\u00f5igist tema tegevustest l\u00e4hemalt.<\/p>","protected":false},"author":1,"featured_media":5389,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[45,40,41],"tags":[144,48,146,145,143,55,51,142],"class_list":["post-5386","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pergerus-general","category-pergerus-slug","category-inothernews","tag-anto","tag-pergerus","tag-pergerus-stuudio","tag-proovikas","tag-tapper","tag-tarbatu","tag-tartu","tag-ulgurand"],"_links":{"self":[{"href":"https:\/\/pergerus.eu\/et\/wp-json\/wp\/v2\/posts\/5386","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pergerus.eu\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pergerus.eu\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pergerus.eu\/et\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pergerus.eu\/et\/wp-json\/wp\/v2\/comments?post=5386"}],"version-history":[{"count":10,"href":"https:\/\/pergerus.eu\/et\/wp-json\/wp\/v2\/posts\/5386\/revisions"}],"predecessor-version":[{"id":5399,"href":"https:\/\/pergerus.eu\/et\/wp-json\/wp\/v2\/posts\/5386\/revisions\/5399"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pergerus.eu\/et\/wp-json\/wp\/v2\/media\/5389"}],"wp:attachment":[{"href":"https:\/\/pergerus.eu\/et\/wp-json\/wp\/v2\/media?parent=5386"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pergerus.eu\/et\/wp-json\/wp\/v2\/categories?post=5386"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pergerus.eu\/et\/wp-json\/wp\/v2\/tags?post=5386"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}